Currently Reading

I am working my way through Color by Victoria Finlay.  This book explores the historical background of colors.  I have thus far enjoyed the histories of ochre, brown, black, and white.  Finlay does a nice job balancing between history and anecdote to make it an entertaining read.  The book is dense at times, truthfully this is my second attempt at it. None the less, I find it well worth the effort.  For example- I didn’t know yellow pencils were painted yellow because the graphite originated in China and the color yellow made them look “oriental” .  I also just finished a section on how white lead paint was used in the early days for both painting and makeup.  As we now know,  many pale young women died of lead poisoning.

Color, Victoria Finlay, 2002, The Ballantine Publishing Group

LARGER

I have finally started working larger.  It was time to explore my landscapes on a new scale.  The larger size allows me to loosen up a bit and have a wider range of mark making.  I am still using a painting knife regularly, but I now incorporate brushwork as well.  These can no longer be “alla prima” paintings and now I must readjust my work habits to paint in multiple sessions.  This means planning more carefully how the surface is built so that I can allow for adequate drying time.  This also means putting an unfinished painting aside for a week.  The downside is the anxiety I feel about just wanting to finish the thing.  The upside is that it forces me to sit back and take more time evaluating the painting in progress.  Transitioning into a new way of working is always challenging, but that which is challenging always inspires growth.